The Oscars are Dangerous for Filmmaking
Analyzing the negative effects the Academy has had on the film industry.
I used to love the Oscars. Watching felt like a game of predicting who would win. There is a certain satisfaction that comes from watching the movies you love being awarded for their work. But it is also deeply disappointing to watch movies that you know are deserving of an award not even be considered. As the years went by, and I got older, that disappointment only continued to grow. Movies I had spent the entire year boasting about to my friends and family weren’t even being nominated. I begin to question why an award show that is supposed to be honoring all the films was ignoring certain branches of it. At first, I thought maybe I had a misconstrued understanding of what a “good movie” was, but the more I thought about it the more I realized the problem was not my own opinions by the Oscars itself.
The impact the Oscars have had on the film industry is one that worries me. The Academy labels itself as the “the best in film” but I don’t find that to be true. There’s a formula to winning an Oscar, and it’s creating a lack of diversity in the films being nominated. The Academy caters heavily to the bias of its committee members and donors. Dramas starring A-list celebrities are almost always guaranteed a nomination. Horror, comedy, sci-fi, and foreign movies have had a long history of being ignored during award season. Part of this comes from the Academy wanting to present themselves as more “sophisticated” however it establishes the idea that these genres should not be taken seriously. The South Korean film “Parasite” was the first foreign film to win Best Picture, and that was just in 2019. Some of the most game-changing films ever made are horror films, yet production teams on horror films are given disproportionately lower budgets than any other genre in the industry.
Actors are paid significantly more money once they’ve won an Oscar. Directors and Producers are given higher budgets as well. So Low-budget films continue to not get featured at award shows and high-paying actors and directors continue to not work on low-budget projects. It’s a vicious cycle. Rebecca Green, the producer of It Follows (2015) took to posted to describe what it is like to work on an indie movie while their actors are being called to bigger projects. “Producing a 2mil movie and since arriving at the location for prep, has dropped out due to Marvel, Netflix, or TV opportunities.” She goes on to explain the studio she works with is only hiring A-list, Oscar-Nominated actors, which is an almost impossible task with a 2 million dollar budget.
The Academy has been losing sight of the core of filmmaking for years now. It was also recently announced that the winners for “Best Digital Short,” “Sound,” “Film Editing,” “Makeup and Hairstyle,” “Live Action Short,” “Original Score,” “Production Design,” and “Animated Short” would not be awarded live on television as an attempt to boost ratings. This is not the first time the Academy has undermined the work that goes on behind the scenes when making a movie. In 2019, the winners for “Best Cinematography” were cut from the live broadcast. Patrice Vermette, one of the producers for “Dune” was interviewed by Variety and was asked what she thought about the Academy’s decision: “It is disappointing. Again, [the Oscars is] the celebration of filmmaking and to make a film everybody is as important to support the vision of the director. I think the implication… and not just us but our team as well – it’s the celebration of filmmaking and yeah it’s a bit disappointing.”
I am not writing this to say every movie I enjoy should be nominated for an Oscar, I recognize how ridiculous that would be. But the Academy has infiltrated the way we talk about filmmaking. Talking to my peers about award shows can get exhausting. I always feel like I have to defend one film against another one instead of just appreciating them both for their own reasons. It’s not inherently bad to want to compare works of art, but the Oscars doesn’t necessarily compare films as much as it does declare one film the standard for all others. Unless the Academy is willing to make some radical changes to the structure of their award shows, I cannot see their rating getting any better from here. This year, the Oscars will be airing on March 27th at 7:00 p.m. on ABC. I will be watching, mostly just to see if any of my predictions come true.
There are so many films I can think of that are worthy of the Oscar’s attention, but here are just a few:
Kendall Edmonds is a senior at WCHS. In her spare time, she likes hanging out with her friends in empty parking lots, baking, and watching movies. She...